| The Most Dangerous Game | The Scarlet Ibis | The Cask of Amontillado | The Gift of the Magi | The Monkey's Paw | Potpourri I | Potpourri II | Potpourri III |
| Rainsford
|
Doodle
|
Montresor
|
Jim and Della Dellingham Young
|
The White family
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the main character in a literary work
|
the descriptive or figurative language used to create word pictures
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the use of clues to suggest events that have yet to occur
|
| Zaroff
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Doodle dies
|
Fortunato insulted him
|
Poverty OR Madam Sofronie
|
Two hundred pounds
|
a character or force in conflict with the protagonist
|
anything that stands for or represents something else
|
literary techniques that portray differences between appearance and reality; situational, verbal, dramatic
|
| The dog, Ivan, and Zaroff
|
She is religious
|
Carnaval
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They are too poor to buy Christmas presents
|
Simple, everyday wishes
|
a brief work of fiction
|
the speaker or character who tells the story
|
a character that develops and grows over the course of the story
|
| Three
|
Infant Doodle, Doodle's hair, the mahogany coffin, the tree, the bush, the ibis, the blood
|
He is buried in the walls of the catacombs and stays there for fifty years
|
her hair; his fob-chain; his watch; her combs
|
Nine total (three left)
|
a category or type of literature
|
the feeling created in the reader by a literary work or passage
|
a character that does not change over the story
|
| Gunshots
|
Symbol
|
Motto of the Montresors; "No one attacks me with impunity."
|
The wise men who brought gifts to the Nativity
|
Flat and dynamic
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prose writing that tells about imaginary characters and events
|
the choice of narrator that directs the type and amount of information revealed
|
a character that shows only one trait
|
| Rainsford kills Zaroff and sleeps in his bed
|
First person
|
Montresor saying "I drink to your long life" when he will kill Fortunato
|
Wise
|
He is crushed by factory machinery, killed, buried, and brought back from the dead
|
the time and place of the action
|
First person
|
a character that shows many different traits (faults as well as virtues)
|
| Situational
|
Pride
|
The audience knowing Fortunato is unknowingly walking to his death
|
When Della and Jim both buy something the other cannot use
|
Herbert to go back to being dead
|
sequence of events in a literary work; exposition, rising action, climax, falling action, resolution
|
Third person limited
|
when the author directly states a character's traits
|
| Indirect
|
Flat and static
|
Imagery
|
Third person limited
|
That the wishes will come true/will not be good
|
the author's central message or insight into life
|
Third person omniscient
|
when the author tells what a character looks and acts like but not what they truly are
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